Poet Lore and The Writer’s Center present a FREE virtual chat about the craft of poetry! We’re joined by Jennifer Huang to discuss their new poetry collection, Return Flight. Jennifer is in conversation with Emily Holland, poet and Editor of Poet Lore, America’s oldest poetry magazine.
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We encourage you to order a copy of the book from your local, independent bookseller or online through Bookshop.org.
Jennifer Huang is the author of Return Flight, which was awarded the 2021 Ballard Spahr Prize for Poetry from Milkweed Editions. Their poems have appeared in POETRY, The Rumpus, and Poetry Northwest, among other places; and they have been received recognition from the Academy of American Poets, Brooklyn Poets, North American Taiwan Studies Association, and more. In 2020, Jennifer earned their MFA in Poetry at the University of Michigan Helen Zell Writers’ Program. Born in Rockville, Maryland to Taiwanese immigrants, they have since called many places home.
About the Book
Selected by Jos Charles as the winner of the 2021 Ballard Spahr Prize for Poetry, Return Flight is a lush reckoning: with inheritance, with body, with trauma, with desire—and with the many tendons in between.
When Return Flight asks “what name / do you crown yourself,” Jennifer Huang answers with many. Textured with mountains—a folkloric goddess-prison, Yushan, mother, men, self—and peppered with shapeshifting creatures, spirits, and gods, the landscape of Huang’s poems is at once mystical and fleshy, a “myth a mess of myself.” Sensuously, Huang depicts each of these not as things to claim but as topographies to behold and hold.
Here, too, is another kind of mythology. Set to the music of “beating hearts / through objects passed down,” the poems travel through generations—among Taiwan, China, and America—cataloging familial wounds and beloved stories. A grandfather’s smile shining through rain, baby bok choy in a child’s bowl, a slap felt decades later—the result is a map of a present-day life, reflected through the past.
Return Flight is a thrumming debut that teaches us how history harrows and heals, often with the same hand; how touch can mean “purple” and “blue” as much as it means intimacy; and how one might find a path toward joy not by leaving the past in the past, but by “[keeping a] hand on these memories, / to feel them to their ends.”