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DTSTART;TZID=America/New_York:20260412T130000
DTEND;TZID=America/New_York:20260412T160000
DTSTAMP:20260122T192422Z
CREATED:20251125T212146Z
LAST-MODIFIED:20260122T192422Z
UID:10005091-1775998800-1776009600@writer.org
SUMMARY:All About Tone
DESCRIPTION:In poetry\, it’s not about what you say; it’s how you say it.\nRobert Frost said\, “It’s tone I’m in love with; that’s what poetry is\, tone.” The ability to control tone in a poem is what makes a poet credible and their intention clear. But tone has not always been easy to define\, let alone control. In this workshop\, we will attempt to distinguish tone from voice\, style\, and mood. We will explore what contributes to a poem’s tone and how these elements can be used to convey attitude and emotion. \n\nLive video conference: This workshop will be held via our online video conferencing platform\, Zoom. You can view brief tutorials on using the platform here. On the start date or the day before\, participants will receive an email with login info (please check your spam if you don’t see it). \n\nIn this workshop you’ll learn:\n\nWhat tone is\, and how it differs from style\, voice\, and mood.\nWhat contributes to the tone of a poem.\nDifferent approaches to establishing tone.\nHow to avoid sentimentality.\n\nTime requirements\n\nNo time required outside of class.\n\nMaterials\n\nAll reading materials will be provided.\n\nWho should take this workshop?\n\nBecause even experienced poets often don’t pay close attention to tone\, this workshop will benefit anyone who wants to learn how to control the effect a poem has on its readers.\n\n\nIf you need an accommodation for this workshop\, please contact us at access@writer.org. We will attempt to fulfill all requests\, but advance notice is necessary to arrange for some accessibility services.
URL:https://writer.org/event/all-about-tone/
LOCATION:Zoom
CATEGORIES:1 Session,All Levels,Poetry,Workshop,Zoom
ATTACH;FMTTYPE=image/jpeg:https://writer.org/wp-content/uploads/2025/01/Writing-Press.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260315T130000
DTEND;TZID=America/New_York:20260315T160000
DTSTAMP:20260303T224814Z
CREATED:20251125T211655Z
LAST-MODIFIED:20260303T224814Z
UID:10005074-1773579600-1773590400@writer.org
SUMMARY:Turning Points: The Role of the Volta in Poetry
DESCRIPTION:Wondering why the best poem you’ve ever written has never been accepted for publication?\nAlthough we associate the term “volta” with the traditional sonnet form\, it has been used with great success by many contemporary poets. Marking a shift in the poem’s tone\, subject or logic\, the volta has been compared to a change of key in music. In this workshop\, we will explore how turning your attention in a new direction can open up a poem\, allowing it to leap to another level of significance or meaning. \n\nLive video conference: This workshop will be held via our online video conferencing platform\, Zoom. You can view brief tutorials on using the platform here. On the start date or the day before\, participants will receive an email with login info (please check your spam if you don’t see it). \n\nIn this workshop you’ll learn:\n\nWhat a volta is and its roots in the sonnet form.\nThe many forms that a volta can take in a poem.\nHow contemporary poets have adapted the volta to expand their poem’s meaning and impact.\nWhether every poem needs a volta in order to succeed.\n\nTime requirements\n\nNo time required outside of class.\n\nMaterials\n\nAll reading materials will be provided.\n\nWho should take this workshop?\n\nPoets at all levels should understand what a volta is and what it can do for a poem that seems to be going nowhere.\n\n\nIf you need an accommodation for this workshop\, please contact us at access@writer.org. We will attempt to fulfill all requests\, but advance notice is necessary to arrange for some accessibility services.
URL:https://writer.org/event/turning-points-the-role-of-the-volta-in-poetry/
LOCATION:Zoom
CATEGORIES:1 Session,All Levels,Poetry,Workshop,Zoom
ATTACH;FMTTYPE=image/jpeg:https://writer.org/wp-content/uploads/2025/01/Writing-Red-Pencil.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260208T130000
DTEND;TZID=America/New_York:20260208T160000
DTSTAMP:20251211T195102Z
CREATED:20251125T210933Z
LAST-MODIFIED:20251211T195102Z
UID:10005046-1770555600-1770566400@writer.org
SUMMARY:Poetry as Autobiography
DESCRIPTION:If you want to write about your life\, beware of the pitfalls!\nThe autobiographical impulse has always been a strong one in American poetry\, but it wasn’t until the so-called “confessional” poets began writing in the late 1950s and 60s that the poet’s life became a widely accepted source of inspiration. In this workshop\, we will examine autobiographical poetry’s roots in Confessionalism and some of the legal and ethical concerns that have arisen as a result. Then we will look at some contemporary poets who write about their own lives and discuss how their work transcends the confessional impulse. \n\nLive video conference: This workshop will be held via our online video conferencing platform\, Zoom. You can view brief tutorials on using the platform here. On the start date or the day before\, participants will receive an email with login info (please check your spam if you don’t see it). \n\nIn this workshop you’ll learn:\n\nWhat is confessional poetry\, and why has its reputation suffered over the years?\nWho are the poets we associate with the confessional movement?\nWhat are some of the legal and ethical issues that have been raised when poets write about their own lives and personal relationships?\nWhat is the difference between a “good” autobiographical poem and a self-indulgent one?\n\nTime requirements\n\nNo time required outside of class.\n\nMaterials\n\nAll reading materials will be provided.\n\nWho should take this workshop?\n\nBecause writing about the events of our lives is such a widespread impulse\, this workshop will benefit poets at all levels.\n\n\nIf you need an accommodation for this workshop\, please contact us at access@writer.org. We will attempt to fulfill all requests\, but advance notice is necessary to arrange for some accessibility services.
URL:https://writer.org/event/poetry-as-autobiography/
LOCATION:Zoom
CATEGORIES:1 Session,All Levels,Poetry,Workshop,Zoom
ATTACH;FMTTYPE=image/jpeg:https://writer.org/wp-content/uploads/2024/11/Writing-Pen-and-Notebook-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251207T130000
DTEND;TZID=America/New_York:20251207T160000
DTSTAMP:20251002T200545Z
CREATED:20250814T152937Z
LAST-MODIFIED:20251002T200545Z
UID:10004951-1765112400-1765123200@writer.org
SUMMARY:Diction for Poets: Choosing the Right Word
DESCRIPTION:Should the language used in poetry be different from that used in everyday speech?\nDiction\, or word choice\, is crucial to poetry\, where every word matters. In this workshop\, we will examine what diction is “appropriate” in a poem and why understanding where certain words come from is essential to using them effectively. We will discuss the relationship between diction and tone\, the difference between idiom and cliché\, and the role that ambiguity can play. We will also talk about “poetic diction” and how to avoid it. \n\nLive video conference: This workshop will be held via our online video conferencing platform\, Zoom. You can view brief tutorials on using the platform here. On the start date or the day before\, participants will receive an email with login info (please check your spam if you don’t see it). \n\nIn this workshop you’ll learn:\n\nWhat “poetic diction” is and how it has changed over the centuries.\nWhy knowing a word’s etymology–the study of its origins–is so important.\nHow word choice can affect the tone of a poem.\nWhether ambiguity in a poem is a good thing or a bad thing.\nHow to expand and improve your diction.\n\nTime requirements\n\nNo time required outside of class.\n\nMaterials\n\nAll reading materials will be provided.\n\nWho should take this workshop?\n\nThis workshop is designed for beginners as well as poets who have been writing for many years.\n\n\nIf you need an accommodation for this workshop\, please contact us at access@writer.org. We will attempt to fulfill all requests\, but advance notice is necessary to arrange for some accessibility services.
URL:https://writer.org/event/diction-for-poets-choosing-the-right-word/
LOCATION:Zoom
CATEGORIES:1 Session,All Levels,Poetry,Workshop,Zoom
ATTACH;FMTTYPE=image/jpeg:https://writer.org/wp-content/uploads/2025/01/Writing-Press.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251102T130000
DTEND;TZID=America/New_York:20251102T160000
DTSTAMP:20251002T192722Z
CREATED:20250814T152931Z
LAST-MODIFIED:20251002T192722Z
UID:10004929-1762088400-1762099200@writer.org
SUMMARY:Punctuation: A Poet's Dilemma
DESCRIPTION:Does a poem even need punctuation? It all depends…\nWhen it comes to punctuating poems\, opinions vary widely. Some poets are as careful and correct as T.S. Eliot\, while others\, like W.S. Merwin\, have gotten rid of punctuation altogether. In this workshop we will discuss what traditional punctuation can achieve and whether syntax and line breaks can be used in its place. We will explore in depth the role played by the period and the comma\, and we’ll take a look at some of the more unusual punctuation marks that poets have invented to suit their own purposes. By looking closely at a few poets who turned away from conventional punctuation at some point in their careers\, we will be able to judge for ourselves whether and how to punctuate our own poems. \n\nLive video conference: This workshop will be held via our online video conferencing platform\, Zoom. You can view brief tutorials on using the platform here. On the start date or the day before\, participants will receive an email with login info (please check your spam if you don’t see it). \n\nIn this workshop you’ll learn:\n\nWhat the use of certain punctuation marks can achieve.\nHow misusing something as simple as a comma can undermine your poem’s meaning and impact.\nHow removing or avoiding traditional punctuation changes a poem.\n\nTime requirements\n\nNo time required outside of class.\n\nMaterials\n\nAll reading materials will be provided.\n\nWho should take this workshop?\n\nThis workshop is designed for poets at all levels who are interested in experimenting with punctuation or in learning to use it more effectively.\n\n\nIf you need an accommodation for this workshop\, please contact us at access@writer.org. We will attempt to fulfill all requests\, but advance notice is necessary to arrange for some accessibility services.
URL:https://writer.org/event/punctuation-a-poets-dilemma/
LOCATION:Zoom
CATEGORIES:1 Session,All Levels,Poetry,Workshop,Zoom
ATTACH;FMTTYPE=image/jpeg:https://writer.org/wp-content/uploads/2025/01/Writing-Press.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250406T130000
DTEND;TZID=America/New_York:20250406T160000
DTSTAMP:20250401T195454Z
CREATED:20241122T224009Z
LAST-MODIFIED:20250401T195454Z
UID:10004643-1743944400-1743955200@writer.org
SUMMARY:What Is a Prose Poem?
DESCRIPTION:Find out what qualifies as a “prose poem” and why you might want to try writing one.\nCharles Simic once observed that “The prose poem has the unusual distinction of being regarded with suspicion not only by the usual haters of poetry\, but also by many poets themselves.” What is it about the prose poem that has\, on the one hand\, so many readers and writers scratching their heads and\, on the other\, so many contemporary poets flocking to the form? In this workshop\, we will try to define exactly what a prose poem is and how it differs from flash fiction\, literary prose\, and free verse with the line breaks removed. We will also discuss why\, If you’ve never written a prose poem\, you might want to try your hand at a form that has puzzled and attracted so many. \n\nLive video conference: This workshop will be held via our online video conferencing platform\, Zoom. You can view brief tutorials on using the platform here. On the start date or the day before\, participants will receive an email with login info (please check your spam if you don’t see it). \n\nIn this workshop you’ll learn:\n\nHow prose poetry differs from free verse without line breaks\nDifferent approaches to prose poetry\nAmerican poets known for their prose poems\nWhy you should you try writing a prose poem\n\nTime requirements\n\nNo time required outside of class.\n\nMaterials\n\nAll reading materials will be provided.\n\nWho should take this workshop?\n\nThis workshop is designed for poets who are wondering why prose poetry has become so popular and are curious to try their hand at writing one.\n\n\nIf you need an accommodation for this workshop\, please contact us at access@writer.org. We will attempt to fulfill all requests\, but advance notice is necessary to arrange for some accessibility services.
URL:https://writer.org/event/what-is-a-prose-poem/
LOCATION:Zoom
CATEGORIES:1 Session,All Levels,Poetry,Workshop,Zoom
ATTACH;FMTTYPE=image/jpeg:https://writer.org/wp-content/uploads/2025/01/Writing-Pile-of-Pens.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250302T130000
DTEND;TZID=America/New_York:20250302T160000
DTSTAMP:20250127T162920Z
CREATED:20241122T224018Z
LAST-MODIFIED:20250127T162920Z
UID:10004623-1740920400-1740931200@writer.org
SUMMARY:What Sound Effects Can Do for Your Poems
DESCRIPTION:Choose your words for how they sound—not just what they mean.\nAssonance\, consonance\, alliteration\, internal rhyme—they’re often called “sound effects\,” and they are among the most basic and essential tools that all poets should know how to use. This workshop will focus on how certain vowel or consonant sounds can be used to evoke or underscore emotion in a poem\, and how sound effects can help you convey your poem’s “message” in a subtle\, convincing way. \n\nLive video conference: This workshop will be held via our online video conferencing platform\, Zoom. You can view brief tutorials on using the platform here. On the start date or the day before\, participants will receive an email with login info (please check your spam if you don’t see it). \n\nIn this workshop you’ll learn:\n\nHow certain sounds are linked to human emotions\nHow to use assonance\, consonance\, alliteration\, internal rhyme\, and other sound effects to underscore meaning in a poem\nThe role that repetition–of a sound\, a word\, or a phrase–can play\nContemporary poets who use sound to make their poems memorable”\n\nTime requirements\n\nNo time required outside of class.\n\nMaterials\n\nAll reading materials will be provided.\n\nWho should take this workshop?\n\nEven experienced poets often overlook the crucial role that sound can play. This workshop will benefit newcomers to poetry as well as those who have been writing it for years.\n\n\nIf you need an accommodation for this workshop\, please contact us at access@writer.org. We will attempt to fulfill all requests\, but advance notice is necessary to arrange for some accessibility services.
URL:https://writer.org/event/what-sound-effects-can-do-for-your-poems/
LOCATION:Zoom
CATEGORIES:1 Session,All Levels,Poetry,Workshop,Zoom
ATTACH;FMTTYPE=image/jpeg:https://writer.org/wp-content/uploads/2024/11/Typewriter-Keys.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250202T130000
DTEND;TZID=America/New_York:20250202T160000
DTSTAMP:20250115T151634Z
CREATED:20241122T224023Z
LAST-MODIFIED:20250115T151634Z
UID:10004607-1738501200-1738512000@writer.org
SUMMARY:A Matter of Time: Verb Tenses in Poetry
DESCRIPTION:When it comes to writing poetry\, choosing the right tense can make a difference!\nShould all lyric poems take place in the present? If you’re writing a narrative poem about something that happened a while ago\, do you have to use the past tense? Verb tenses are something that most of us learned in grade school but haven’t thought much about since. For a poet\, being able to identify the various tenses isn’t the point; it’s knowing how to choose the right tense for a poem and knowing when to shift it. This workshop will examine some of the approaches that poets have used to control and manipulate the passage of time in their poems\, with an emphasis on how verb tenses can be used to add immediacy\, introduce tension\, or bring a poem to life. \n\nLive video conference: This workshop will be held via our online video conferencing platform\, Zoom. You can view brief tutorials on using the platform here. On the start date or the day before\, participants will receive an email with login info (please check your spam if you don’t see it). \n\nIn this workshop you’ll learn:\n\nThe relationship between lyrical poetry and the present tense\nWhen to shift tense or change it altogether\nThe difference between “voice” and “mood”\nVerb tenses in narrative poems\n\nTime requirements\n\nNo time required outside of class.\n\nMaterials\n\nAll reading materials will be provided.\n\nWho should take this workshop?\n\nPoets at all levels will benefit from learning how to manipulate the passage of time in their poems.\n\n\nIf you need an accommodation for this workshop\, please contact us at access@writer.org. We will attempt to fulfill all requests\, but advance notice is necessary to arrange for some accessibility services.
URL:https://writer.org/event/a-matter-of-time-verb-tenses-in-poetry/
LOCATION:Zoom
CATEGORIES:1 Session,All Levels,Poetry,Workshop,Zoom
ATTACH;FMTTYPE=image/jpeg:https://writer.org/wp-content/uploads/2024/11/Writing-Book-Pages.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241208T130000
DTEND;TZID=America/New_York:20241208T160000
DTSTAMP:20240912T200557Z
CREATED:20240807T220038Z
LAST-MODIFIED:20240912T200557Z
UID:10004529-1733662800-1733673600@writer.org
SUMMARY:Beads on a String: Organizing a Poetry Manuscript
DESCRIPTION:Is there a secret to putting together a book of poetry?\nPoets who are putting together their first chapbook or full-length book often agonize over what they can do to make their manuscript grab the attention of an editor or contest judge. But there is no one approach to arranging a sequence of poems that is inherently superior. Instead\, it has more to do with gaining some perspective on your own work and identifying the themes\, images\, and impulses that certain poems share. In this workshop\, we will gather advice from a number of successful poets and then take a close look at how a Pulitzer Prize-winning volume was put together. \n\nLive video conference: This workshop will be held via our online video conferencing platform\, Zoom. You can view brief tutorials on using the platform here. On the start date or the day before\, participants will receive an email with login info (please check your spam if you don’t see it). \n\nIn this workshop you’ll learn:\n\nHow to tell if a group of poems constitutes a book or chapbook\nDo you need section dividers?\nComing up with a title\nOrganizational strategies\n\nTime requirements\n\nNo time required outside of class.\n\nMaterials\n\nAll reading materials will be provided.\n\nWho should take this workshop?\n\nThis workshop is designed for any poet who has produced a significant number of poems\, or who feels “ready” to put together a manuscript.\n\n\nIf you need an accommodation for this workshop\, please contact us at access@writer.org. We will attempt to fulfill all requests\, but advance notice is necessary to arrange for some accessibility services.
URL:https://writer.org/event/beads-on-a-string-organizing-a-poetry-manuscript/
LOCATION:Zoom
CATEGORIES:1 Session,Intermediate Level,Poetry,Workshop,Zoom
ATTACH;FMTTYPE=image/jpeg:https://writer.org/wp-content/uploads/2024/04/McInturff_Architects_The_Writers_Center_DC_02.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240421T130000
DTEND;TZID=America/New_York:20240421T160000
DTSTAMP:20240320T153154Z
CREATED:20231207T181547Z
LAST-MODIFIED:20240320T153154Z
UID:10004190-1713704400-1713715200@writer.org
SUMMARY:How Poems Begin
DESCRIPTION:“Let us go then\, you and I\, where the evening is spread out against the sky like a patient etherized upon a table…”\nPoets and poems are often remembered for their opening lines\, but is there a “right” or at least a “better” way to begin a poem? In this workshop\, we will explore some of the ways in which poets have traditionally chosen to open their poems and what these strategies achieve. Then we will look at poems that break with tradition and still manage to draw the reader in. \n\nLive video conference: This workshop will be held via our online video conferencing platform\, Zoom. You can view brief tutorials on using the platform here. On the start date or the day before\, participants will receive an email with login info (please check your spam if you don’t see it). \n\nTime requirements\n\nNo additional time required outside of class.\n\n  \nMaterials\n\nAll reading materials will be provided.\n\n  \nIf you need an accommodation for this workshop\, please contact us at access@writer.org. We will attempt to fulfill all requests\, but advance notice is necessary to arrange for some accessibility services.
URL:https://writer.org/event/how-poems-begin/
LOCATION:Zoom
CATEGORIES:1 Session,All Levels,Poetry,Workshop,Zoom
ATTACH;FMTTYPE=image/jpeg:https://writer.org/wp-content/uploads/2023/06/McInturff_Architects_The_Writers_Center_DC_02-1-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240303T130000
DTEND;TZID=America/New_York:20240303T160000
DTSTAMP:20240303T143454Z
CREATED:20231207T181556Z
LAST-MODIFIED:20240303T143454Z
UID:10004164-1709470800-1709481600@writer.org
SUMMARY:Revisiting Rhyme
DESCRIPTION:Why do so many poets shy away from rhyme?\nMaybe it’s because they’re afraid it will make their poems sound trite or old-fashioned. In fact\, knowing how to rhyme subtly and skillfully can achieve quite the opposite. In this workshop\, we will examine the many different rhyming strategies available to poets writing today. Discussing what distinguishes a “good” rhyme from a weak one will help us understand what rhyme can add to a poem and how it can be used to make your poems both more memorable and more musical. \n\nLive video conference: This workshop will be held via our online video conferencing platform\, Zoom. You can view brief tutorials on using the platform here. On the start date or the day before\, participants will receive an email with login info (please check your spam if you don’t see it). \n\nTime requirements\n\nNo additional time required outside of class.\n\nMaterials\n\nAll reading materials will be provided.\n\nIf you need an accommodation for this workshop\, please contact us at access@writer.org. We will attempt to fulfill all requests\, but advance notice is necessary to arrange for some accessibility services.
URL:https://writer.org/event/revisiting-rhyme/
LOCATION:Zoom
CATEGORIES:1 Session,All Levels,Poetry,Workshop,Zoom
ATTACH;FMTTYPE=image/jpeg:https://writer.org/wp-content/uploads/2023/06/McInturff_Architects_The_Writers_Center_DC_02-1-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240121T130000
DTEND;TZID=America/New_York:20240121T160000
DTSTAMP:20231214T005021Z
CREATED:20231207T181609Z
LAST-MODIFIED:20231214T005021Z
UID:10004122-1705842000-1705852800@writer.org
SUMMARY:The Mystery of Line Breaks
DESCRIPTION:Should it be as long as a breath\, or should it end wherever there is a punctuation mark or a break in the syntax? In this workshop\, we will look at different approaches to determining where a line ends and how the relationship between the sentence and the line affects the poem’s impact on the reader. We will also examine how contemporary poets have dealt with this issue and how their decisions can help us manage line breaks in our own poems.
URL:https://writer.org/event/the-mystery-of-line-breaks/
LOCATION:Zoom
CATEGORIES:1 Session,All Levels,Poetry,Workshop,Zoom
END:VEVENT
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