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Elizabeth Hazen is a poet, essayist, and teacher. A Maryland native, she came of age in a suburb of Washington, D.C. in the pre-internet, grunge-tinted 1990s, when women were riding the third wave of feminism and fighting the accompanying backlash. She began writing poems when she was in middle school, after a kind-hearted librarian handed her Lawrence Ferlinghetti’s A Coney Island of the Mind. She has been reading and writing poems ever since. Hazen’s work explores issues of addiction, mental health, and sexual trauma, as well as the restorative power of love and forgiveness. Her poems have appeared in Best American Poetry, American Literary Review, Shenandoah, Southwest Review, The Threepenny Review, The Normal School, and other journals. Alan Squire Publishing released her first book, Chaos Theories, in 2016. Girls Like Us is her second collection. She lives in Baltimore with her family.
Katherine E. Young is the author of Woman Drinking Absinthe (Alan Squire Publishing 2020), Day of the Border Guards, 2014 Miller Williams Arkansas Poetry Prize finalist, and two chapbooks. Her poems have appeared in Prairie Schooner, The Iowa Review, Subtropics, and many others. She is the translator of Farewell, Aylis by Azerbaijani political prisoner Akram Aylisli and Blue Birds and Red Horses and Two Poems, both by Inna Kabysh. Young’s translations of contemporary Russian-language poetry and prose have won international awards; several translations have been made into short films. Young was named a 2020 Arlington County (Virginia) Individual Artist Grant recipient, a 2017 National Endowment for the Arts translation fellow, and a 2015 Hawthornden Fellow (Scotland). From 2016-2018, she served as the inaugural Poet Laureate for Arlington, Virginia.
About the Books
Elizabeth Hazen’s Girls Like Us is packed with fierce, eloquent, and deeply intelligent poetry focused on female identity and the contradictory personas women are expected to embody. The women in these poems sometimes fear and sometimes knowingly provoke the male gaze. At times, they try to reconcile themselves to the violence that such attentions may bring; at others, they actively defy it. Hazen’s insights into the conflict between desire and wholeness, between self and self-destruction, are harrowing and wise. The predicaments confronted in Girls Like Us are age-old and universal—but in our current era, Hazen’s work has a particular weight, power, and value.
The poems in Katherine E. Young’s Woman Drinking Absinthe concern themselves with transgressions. Lust, betrayal, guilt, redemption: Young employs fairy tales, opera, Impressionism, Japonisme, Euclidean geometry, Greek tragedy, wine, figs, and a little black magic to weave a tapestry that’s as old as the hills and as fresh as today’s headlines.