Just in time for Halloween, the Writer’s Center presents a FREE virtual chat about the craft of writing gothic and horror-adjacent fiction! Gothic fiction frequently blends realism with the otherworldly through the presence of doppelgangers, ghosts, the uncanny, and atmospheric prose that elicits dread and unease. We’re joined by authors Lacey N. Dunham and Laura Venita Green for a discussion of their genre-blending debut novels.
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Lacey N. Dunham’s novel The Belles is forthcoming from Atria / Simon & Schuster on September 9, 2025. She has received support from the Elizabeth George Foundation, the DC Commission on the Arts and Humanities, the Sewanee Writers Conference, and Catapult. Her writing has been published in Ploughshares, Kenyon Review, Witness, and elsewhere. Born and raised on a small family farm, she now lives in Washington, DC.
Laura Venita Green is a writer and translator with an MFA from Columbia University, where she was an undergraduate teaching fellow. Her fiction won the Story Foundation Prize, received two Pushcart Prize Special Mentions, and appears in The Missouri Review, Story, Joyland, Fatal Flaw, and translated to Italian in Spazinclusi. Her translations appear in Asymptote, World Literature Today, and The Apple Valley Review. Originally from Louisiana, she lives with her husband in New York City. Her debut novel, Sister Creatures, is forthcoming from Unnamed Press on October 7, 2025.
About The Belles
In this richly atmospheric, dark academia debut novel, a young woman with a secretive past will risk everything—including her life—to fit in.
Belles never tell…
It’s 1951 at the secluded Bellerton College, and Deena Williams is an outsider doing her best to blend in with her wealthy and perfectly groomed peers. Infamous for its strict rules as much as its prestige, attending Bellerton could give Deena the comfortable life she’s always dreamed of.
She quickly forms an alliance with the five other freshmen on her floor, and soon they are singled out by the president’s wife as the most promising girls of their class, who anoints them: The Belles. They walk the college’s halls in menacing unison, matching velvet ribbons in their hair. But no sisterhood comes without secrets, and the Belles are no exception. Playing cruel pranks on their dormitory housemother and embarking on boundary-shattering night games, the Belles test the limits of the campus rules.
But as Deena begins to piece together the sinister history of Bellerton, her own past threatens to come to light, forcing her to make a dangerous choice. A chilling and seductive coming-of-age story, The Belles is an excavation of the dark side of girlhood, the intricacies of privilege, and the unbridled desire to belong at any cost.
About Sister Creatures
“Captivating and sublime… and centered on a cast of women bound to their roots in unexpected ways, this is a book that interchanges the tender and the cruel, the weird and the real, with breathtaking ease.” –Jinwoo Chong, author of I Leave It Up to You
In the muggy, insect-ridden town of Pinecreek, Louisiana, college dropout Tess Lavigne is watching two bickering siblings while their parents are away. Her listless day drinking is interrupted when someone emerges from the woods behind the house. Filthy and feral, the daughter of religious fundamentalists, the girl known in town as Sister Gail convinces Tess to take her in for the night. The strange events of that evening will set the course for Tess’s future, and Sister Gail’s ultimate fate.
Meanwhile, other residents of Pinecreek try to cobble together a future from what little they have, their lives intersecting in small and not-so-small ways. Sisters fight to define independence for themselves (and from each other), while two young women on a bicycling trip wonder what their relationship promises, or threatens. Throughout, a deeply unsettling presence connects the characters to the buried secrets of Pinecreek: the ominous Thea, a malevolent shape-shifting entity whose rage and despair stems from a tragic history of misogyny, maternal loss, and stolen ambitions.
As time marches forward, so does Tess, creating a new path for herself while accepting what can never be entirely left behind. At times atmospheric and eerie, and at others all too real, Sister Creatures is about manufacturing resilience from nothing but the bonds that tie us together.
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