Wet Ink
Events at this venue
When writing a novel, we must know our primary characters inside and out. We need to understand their desires, motivations, and frustrations, their histories and their futures. This workshop will focus on the development of authentic characters. Participants will examine character as both autonomous and residing within the context of the other novelistic elements, and we will examine the challenge of creating and integrating these various elements into a cohesive and credible whole. Participants will explore the main character(s) in their novels-in-progress.
This workshop will help you understand the process of writing a novel so you can get started putting pen to paper. The workshop will focus on everything from generating ideas to developing characters to establishing point of view. Participants will discuss many elements of fiction (dialogue, scene, etc.) but the emphasis will be on discovering the writing process that works best for each writer.
Discover how creative constraints can unlock surprising new possibilities in your writing. In this four-week generative workshop, we will explore how playing with time, form, and omission can change stories and move them beyond the familiar. Through close reading, discussion, and in-class exercises, participants will experiment with techniques to play with their stories. By the end of the workshop, participants will have several new drafts as well as a toolkit of exercises and strategies for future work. Participants should come prepared to write and to read a small selection of flash fiction between sessions; no advance preparation is required for the first class.
Look beyond your inner critic and limiting beliefs to tap into the flow of your boundless creativity, as you discover the powerful impact of your authentic voice. Over eight weeks, we'll be identifying unhelpful thoughts, deconstructing doubt, and building a sustained creative recovery practice that lets you write compelling pieces and foster a special connection with your readers. In a safe and supportive space, reintroduce your childlike wonder around creativity so you can write freely, reclaim your power, and uncover your true gifts. Unleash your brilliance and honor the impact of your stories, lessons, and innermost thoughts. Walk away feeling empowered with fresh awareness, confidence in your writing, and practical tools to stay inspired and let your art flow freely—long after the workshop ends. While the core workshop runs asynchronously on Wet Ink, it includes two optional live Zoom sessions, one at the start to meet as a group and set intentions, and one at the midpoint to check in, share progress, and troubleshoot together. Dates and times will be pre-set and shared upon registration; attendance is optional and encouraged, not required.
Whether you have just started your manuscript, or have made significant progress, this course will help you get over the finish line. We'll learn how to structure the book in a way that adds layers of meaning to the poems within, generate new work to fill in the structure, and hone poems until they are book-ready. To finish, students will revise the book as a whole and make a publication plan.
Whether you are an organized planner or a writer who flies by the seat of their pants, a novel still needs structure. In this workshop, participants will study the architecture of a novel and devise plans for plotting their novels. Using the three-act structure as a map, we will explore the basic components of a novel’s plot.
In this class, we’ll learn how to write a well-crafted pitch that can land you publication in top newspapers and magazines. Whether you are writing newsy personal essays or reported articles, we’ll learn how to catch an editor’s attention by pegging our pitch to a current event, and and showing that we're the right person to tell this story. The teacher will share example pitches that have gotten her published, even with few credits to her name. You'll leave class having sent 3-4 pitches to editors.
Do the multitude of Point of View options elude you? We will look at everything from the first person point of view to the editorial omniscient, as well as some of the less traditional points of view, to help you choose the best voice to tell your story.
Are you serious about writing a novel but struggling? This intermediate course will examine the eight fundamental elements of the novel to help you find the strengths and weaknesses of your work-in-progress. From Concept to Conclusion, we will study the key components of a novel, with generative and evaluative exercises along the way. Written lessons, curated online resources, and targeted exercises (along with instructor and peer feedback) will help guide you as you continue to draft your novel. (Note: This course is a good follow-up to Tammy Greenwood’s Intro to the Novel workshop.)
Do you have a finished draft of a novel but don’t know what to do next? This workshop will take you through the revision and editing process step-by-step. From large-picture issues like plot and structure, characterization, etc… to line editing, we will look at what it takes to revise your own novel without the assistance of a professional editor.