Events

Each week, participants will focus on a different stage of the revision and publishing process, including structural and line-level revision strategies, identifying common problems in manuscripts, understanding the role of agents and editors, and exploring different paths to publication. The workshop will combine discussion of craft principles, practical publishing guidance, and analysis of participant work in a supportive, workshop-based setting. By the end of the course, participants will have a clearer, more polished manuscript excerpt, a realistic understanding of its readiness for submission, and a practical toolkit for querying agents and navigating publication options with greater confidence. Participants should submit a draft of a short story or novel excerpt up to 3000 words to the first class.

In this class, we will look at what makes effective openings in stories, how we draw readers in, introduce characters and begin creating their world, and how we develop resonant endings. We'll also discuss how beginnings set the tone for endings. Each week, looking closely at a few short story openings or endings, we'll discuss style, setting, characterization, and answer the often asked questions how to show and what to tell. Classes include generative exercises writing openings and endings, and guidance on developing a daily writing practice.

Whether you're a fiction or non-fiction writer, evoking scenes in sensory detail is critical for holding readers' attention. But knowing what to include and omit is difficult, especially when you're […]

Learn techniques to write about mental health with intention. Along with general guidelines, examples from popular media will be reviewed so you can learn how to avoid clichés and dig deeper into what shapes people’s various experiences with mental health. Participants will apply psychological concepts to plot and character development.

Practice sharing your story and yourself Spend an evening practicing and learning about the art of public speaking. This in-person coaching session will give you the opportunity to bring your […]

Write new short stories with award-winning author and editor Rita Bullwinkel! Writing is a unique art medium in that it is both made and, generally, consumed in isolation. Through the […]

Fictional characters are the entry point for readers to engage with the worlds that writers create. In this class, we will explore three facets of character—tragic flaws, contradictory behavior, and backstory—and reveal how you can combine them to create characters readers will love. Come ready to write! This class includes hands-on writing exercises. Attendees will walk away with the tools they need to craft compelling characters.

Do the multitude of Point of View options elude you? We will look at everything from the first person point of view to the editorial omniscient, as well as some of the less traditional points of view, to help you choose the best voice to tell your story.

Are you serious about writing a novel but struggling? This intermediate course will examine the eight fundamental elements of the novel to help you find the strengths and weaknesses of your work-in-progress. From Concept to Conclusion, we will study the key components of a novel, with generative and evaluative exercises along the way. Written lessons, curated online resources, and targeted exercises (along with instructor and peer feedback) will help guide you as you continue to draft your novel. (Note: This course is a good follow-up to Tammy Greenwood’s Intro to the Novel workshop.)

Reframe your understanding of the joys, purpose, struggles, and successes associated with being both a writer and a member of the wider literary community. In a presentation that spans my […]

This workshop introduces a revision strategy that uses interconnected generative prompts to re-enter an existing draft, uncover hidden emotional dynamics, and reveal new possibilities for character, conflict, and story. Through visual presentation, brief craft discussions, guided writing exercises, and opportunities to reflect and share, participants will use these prompts to push both themselves and their characters in unexpected directions, breathing new life into stalled scenes and rediscovering the emotional momentum of their work. By the end of the workshop, participants will have generated new material, uncovered fresh insights into their characters, and developed a practical revision technique they can return to whenever a draft loses momentum. Participants are invited to have work-in-progress—a draft, scene, chapter, or story they'd like to revisit.

This course focuses on writing and reading *very* short fiction. Together, we’ll investigate the following questions: what can a story accomplish in a single page? In a single paragraph? How can we, as writers, create character, place, plot, or voice in such a compressed form? What techniques are helpful for drafting and revising a super-short story? How does contemporary “flash fiction” or "micro fiction" relate to older forms—like the fable—and other genres, like poetry? What makes a piece of very short prose a "story" at all? Each week, we will workshop participants' fiction and do writing exercises to learn about this form. We’ll also read a range of published flash fiction from a craft perspective. By the end of the workshop, each participant will have written and received feedback on at least one very short story (under 2,000 words). The course will conclude with a discussion of strategies for submitting very short fiction to literary magazines.

Learn the methods professional writers use to come up with winning plots for their fiction.

Do you have a finished draft of a novel but don’t know what to do next? This workshop will take you through the revision and editing process step-by-step. From large-picture issues like plot and structure, characterization, etc… to line editing, we will look at what it takes to revise your own novel without the assistance of a professional editor.

Writing a novel takes commitment, but it doesn’t need to be daunting. Learn how to generate a handful of plots to choose from, methods for effectively planning your story, and simple hacks for fine tuning your basic fiction skills. Students will initiate a flexible writing plan that will keep their writing flowing. This is a great half-day session for the beginning long-form fiction writer, or for the more experienced author in need of a quick strategy brush-up.

Meet Susan Coll, instructor for our Novel Year workshop, and have all your questions about the program answered! The Writer’s Center staff will be on hand, too, to address any logistical […]

Write your novel in a year with bestselling novelist Susan Coll! Whether you have been thinking about writing a novel for years but are not sure how to get started, […]

The Writer’s Center CraftCon now accepting panel proposals! Do you have new ideas about the art and methods of writing that you can't wait to share? If so, The Writer's […]